Art and perception

Colloque organisé par Johan Wagemans, résident de l'IEA de Paris.

Programme

Lundi 28 mai

09:30-10:00 : Accueil des participants

10:00 – 11:00 : “Adolf Hildebrand’s ‘wooden iron’: The scene, the artwork and the eye”
Jan KOENDERINK (Delft, The Netherlands and LEP, Leuven, Belgium)

11:00-11:30 : Pause

11:30-12:00 : “Pictorial relief from Picasso’s twisted line-drawings”
Johan WAGEMANS (LEP, Leuven, Belgium and IEA-Paris, France)

12:00-12:30 : “Mona Lisa’s many faces”
Claus-Christian CARBON (Bamberg, Germany and Pavia, Italy)

13:00-14:30 : Pause déjeuner

14:30-15:30 : “Depicting visual perception in science and art”
Robert PEPPERELL (Cardiff, U.K.)

15:30-16:00 : Pause

16:00-16:30 : “Depiction of material properties in paintings”
Bilge SAYIM (LPP, Paris, France)

16:30-17:00 : “Two-tone images: the last discovery in the art of 3D depiction”
Patrick CAVANAGH (LPP, Paris, France)

17:00-17:30 : “Recognition of emotional intensities in Chinese calligraphy by a non-Chinese speaking population ignorant of the art of calligraphy”
Jérôme PELLETIER (EHESS & Institut Jean-Nicod, Paris, France)

Mardi 29 mai

09:30-10:00 : Accueil des participants

10:00 – 11:00 : “Laws of coloration in vision, art and biology”
Baingio PINNA (Sassari, Sardegna, Italy)

11:00-11:30 : Pause

11:30-12:00 : “The pleasure of prediction error: Testing a predictive coding approach to visual art”
Sander VAN DE CRUYS (LEP, Leuven, Belgium)

12:00-12:30 : “The Aesthetic Aha. The pleasure of having insights into Gestalt and its relevance for the appreciation of modern art”
Claudia MUTH (Bamberg, Germany)

13:00-14:30 : Pause déjeuner

14:30-15:30 : “Why must visual stimuli be ugly?”
Jacques NINIO (LPS, ENS, Paris, France)

15:30-16:00 : Pause

16:00-16:30 : “The temporal unfolding of masterworks: More on the microgenesis of art perception”
M. Dorothee AUGUSTIN (LEP, Leuven, Belgium)

16:30-17:00 : “Neuroaesthetics: eye movement and body sway studies”
Zoï KAPOULA (CNRS, Paris, France)

17:00-18:00 : Discussion générale