Absolutely Modern: Dylan, Rimbaud, and Visionary Song
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Timothy Hampton, "Absolutely Modern: Dylan, Rimbaud, and Visionary Song", dans Representations, The Regents of the University of California, n° 132, automne 2015, pp. 1-29.
Abstract
Bob Dylan’s turn from “folk music” to “electric music” in the 1960s involves the development of a new visionary poetics. Through a consideration of his affinity with the French Symbolist poet Arthur Rimbaud, this essay traces Dylan’s recasting of himself as a visionary and studies the pressures placed by this process on lyric form, on poetic diction, and on the representation of the self in popular music.
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 The Politics of Babel. The Languages of Diplomacy in Early Modern Europe 01 septembre 2014 - 30 juin 2015 |
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